Feral Jundi

Friday, January 16, 2009

Building Snowmobiles: Counter-insurgency, The Art of Phenomenology and Shepard Fairey

Filed under: War Art — Tags: , , , , — Matt @ 3:06 AM

   So your probably wondering why this is a building snowmobiles topic?  The concept of what Shepard Fairey is doing, and has done, is absolutely radical and powerful.  He is the guy that made the Obama posters and the Obey stickers, if you want to know what he is famous for, and his art and ideas take on a life of their own.  But there is a method, and Shepard started all of this with a manifesto he created in 1990.  

   Personally, I am not really into the guy’s politics or his ‘save the whales’ mindset, but I am into his concepts and methodology.  In this war of ideas we are having with radical Islam, it takes thinking outside of the box, and this kind of propaganda could be very helpful in combating our enemy’s ideas.  

     Imagine if a guy like Shepard Fairey, or similar artist using the same modus operandi, was able to make a piece of art that would shake the world of radical Islam and force them to question why they do what they do?  That Danish cartoon depicting Muhammad with a bomb on his head was somewhat viral, but it only infuriated and unified Islamic extremists.  We want an idea that will make them want to stop, or at least question what they are doing. What we need is something more like the Obey Giant campaign, and something that people want to download and make stickers out of and plaster them all over place.  Because that is what happened with the Obey stickers–they were plastered all over and it became a cultural phenomenon.  

   Now the meaning of the message ‘Obey’, is a way of telling you to obey and kiss the ring of your masters or big brother or whatever authority figure–and with that simple order, that inner rebel inside you says ‘no way’.  So it is a concept of dissent and questioning authority that makes it so powerful.  And when a supporter of Obey slaps a sticker up, in essence they are acting out in defiance.

    The sticker is also a pain in the ass to remove.  Some people were even trying to find ways of putting the Obey sticker in really impossible places, just so clean up crews could not get rid of the thing.  The sticker also dares you to question the environment that it has been placed, or for you to question some commercialized ad right next to the sticker.  If you see a Marlboro ad, and someone just plastered an Obey sticker over the cowboy’s face or somewhere near the poster, then you are forced to look at it and also you subconsciously read the sticker.  So now you have two images and two messages competing for your conscious.

    The idea of Obey, also gets ingrained into the landscape.  Some look at it as vandalism, others look at it as art.  Others who get the message, might like the idea of that thing up there on the light pole–others might not.  

     Either way, these concepts need to be looked at for possibly combating our current enemy.  Of course this has another name for it, like propaganda, but this is definitely a modern day twist on propaganda and it needs to be looked at.

   So how could this be used by a field commander in Afghanistan, trying to conduct counter-insurgency?  The key is to get a good artist and a creative idea, and think like Shepard Fairey to promote your idea.  Shepard has the working model for such a thing, and he obviously is doing something right.  He built that snowmobile by using the concepts of phenomenology and art, to promote and spread ideas like a virus.  He has made a ton of money with his viral art, fueled numerous calls to action, and helped elect a US President with an inspirational poster.   We need to learn from this, and apply it to the war effort in some way. –Matt

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Shepard Fairey – The Obey Manifesto

the logic behind the sticker and stencil campaign

 

The OBEY sticker campaign can be explained as an experiment in Phenomenology. Heidegger describes Phenomenology as “the process of letting things manifest themselves.” Phenomenology attempts to enable people to see clearly something that is right before their eyes but obscured; things that are so taken for granted that they are muted by abstract observation.

The FIRST AIM OF PHENOMENOLOGY is to reawaken a sense of wonder about one’s environment. The OBEY sticker attempts to stimulate curiosity and bring people to question both the sticker and their relationship with their surroundings. Because people are not used to seeing advertisements or propaganda for which the product or motive is not obvious, frequent and novel encounters with the sticker provoke thought and possible frustration, nevertheless

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Wednesday, December 24, 2008

War Art: You Stay Classy Iraq

Filed under: Funny Stuff,Iraq,War Art — Tags: , , — Matt @ 12:20 PM

Stay Classy 

Tuesday, November 18, 2008

War Art: ‘Waltz With Bashir’, an Israeli Animated War Documentary

Filed under: Film,War Art — Tags: , , — Matt @ 1:39 AM

     This is a first for me.  I have never seen an animated documentary, and I was really enthralled with how the trailer looked and felt.  If you go to the website, the director has more trailers to check out. 

     I guess the film will be opening up on December 25th in New York and Los Angeles.  The politics and controversy that surround this film is an area that I will not comment on, and that is really not what hit me with this thing.  To me, this is more of an intimate film about the director’s war experience and how he conveyed that through animation.  I really liked the style of this thing, and I am sure we will see more of this type of animation in the future. –Head Jundi

Website Here

 

Sunday, August 24, 2008

War Art: Talking Tactics, by Lance Nelson

Filed under: War Art — Tags: , , , — Matt @ 9:42 AM

This print is called “Talking Tactics”, by Lance Nelson

Welcome to the Military Illustrations web site.

All Illustrations by Lance Nelson

Military art depicting special forces from around the world.  

Prints for the military enthusiast, serious collector and fighting soldier.

free shipping on artwork IN THE CONTINENTAL US ONLY

International Orders: CONTACT US FOR SHIPPING RATES

Government Credit Card Orders: Call 970-484-8296

Website Here

 

Wednesday, June 11, 2008

War Art: Send It, by Duke

Filed under: War Art — Tags: , , , , — Matt @ 4:59 PM

     I stumbled upon this the other day and thought it was pretty cool. Duke will also do contract work for other stuff, if you like. Enjoy. –Head Jundi

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Send It Painting

 ‘Send it’ by Duke

Get it Here

     In the Old Testament, within the book of First Samuel the fourteenth chapter, the young prince of Israel, Jonathan, spies an opportunity for havoc to be wreaked upon his enemies. He turns to his armor bearer, and says in the sixth verse; ‘Come, and let us go over unto the garrison of these uncircumcised: it may be that the LORD will work for us: for there is no restraint to the LORD to save by many or by few’, (Emphasis added).      

     His equal in both courage and fighting prowess, the young armor bearer replies without hesitation; ‘Do all that is in thine heart: turn thee; behold, I am with thee…’, (emphasis added).

     A better picture could not be painted to the outsider of the relationship of a sniper/observer team in the armed forces of the United States military.

     Men have recorded better written history and analysis of the military’s snipers, past and present, along with detailed descriptions of thier training, weaponry, equipment, feats and tactics than I ever could hope to describe. My deepest goal, however, is to capture an image -one that will speak the proverbial ‘thousand words’- and that, I pray, brands itself in your soul; for these professional young men do a job that consists of unspeakable odds, matchless professionalism, and fathomless courage.

     This project started in concept form in spring of 2007, when I happened to read an article about four Marine snipers of the 2nd Battalion, 4th Marine Regiment, who were savagely killed atop a rooftop in Ramadi, in June 2004. All had been shot multiple times, thier throats were cut, and thier weapons and equipment taken. As a son of a Marine, and as a free American, I was outraged by this. It wasn’t an anger that needed someone to blame -I knew who to blame; the ones who killed them. It was a sense of outrage, that if there was any concievable way that I, a civilian, could do something to equip, support, or encourage these young men who are in harm’s way (in every conceivable sense of the word), then I would do so.

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